How could I portray Leonardo with a camera?

This series attempts to resist the camera's tendency to arrest time and define identity. The photographs imagine Leonardo as a field of potentiality, an existence that is continuously becoming.

The image never fully settles. Like the current of a river, Leonardo's identity maintains a continuity without ever repeating the same form. The portrait becomes an encounter with potentiality instead of certainty.

This series seeks to deterritorialize his body, to release it from the stable identity that photography often imposes.